Punctuated Post: Jonathan Safran Foer's Here I Am

Note the Arizona-themed bookmark
cross-stitched by my mother.

This book is long enough, so I will keep my thoughts to a Punctuated Post. I do not regret a single minute of the time I spent reading the nearly 600 pages of Jonathan Safran Foer's latest novel, Here I Am. In fact, most of it felt fairly fast-paced. There is a great deal of dialogue, and various narrative strategies keep the pages turning. If anything slows down the reading pace, it is the need to process some of the deep emotional episodes that sustain the book. From family to catastrophe, this book covers the gamut of heart-wrenching scenarios. And, I suppose it is this very breadth that became, in my opinion, the greatest weakness of the book. When a book is about everything, it sometimes feels like it is about nothing. Is this book about the father character, Jacob? His family? Dealing with crises? Politics and political catastrophe? Religion? Death and loss? I am never one to shy away from a long book with a complex plot, yet a can't fight the suspicion that this book would be even better if it were about just a little less.

While I would have wished for a little more focus to guide me to the core message that the author wanted the reader to walk away with, there were little literary nuggets throughout the book that served as a huge payoff for the reader. I'll end with one sentiment that resounded with me.

Jonathan Safran Foer, Here I Am, p. 493

Foer, Jonathan Safran. Here I Am. New York: Farrar, Straus, and Giroux, 2016.

My Top Book Pick of 2016: Colson Whitehead's The Underground Railroad

Hasta la vista, 2016

There were a lot of things not to like about 2016. A lot. But there was also some good interspersed among the gut-wrenching disappointments. Some of my favorite things about 2016 included my discovery of the book app Litsy (where you can find me @ReadosaurusText), Teen Vogue emerging as a serious source of political news and commentary, and it was an incredible year for the visibility and popularity of African American nonfiction and fiction. Ibram X. Kendi won the National Book Award for Nonfiction for Stamped from the Beginning: The Definitive History of Racist Ideas in America. Heather Ann Thompson's Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy was a finalist for the same award and has earned oodles of other accolades. On the fiction side, we saw the Collected Poems: 1974-2004 of Rita Dove, the latest Walter Mosley, and of course Colson Whitehead's The Underground Railroad.

I realize that picking The Underground Railroad as my favorite book of 2016 is not especially groundbreaking--as a best-selling, award-winning, Oprah's Book Club title, it is not much of a revelation to declare this book as good and worth reading. This book is truly special, though. The Underground Railroad follows the motivations and experiences of a young enslaved woman named Cora. As she undertakes a personal journey, so does the reader, and that journey is at once difficult to read and impossible to draw away from. I read this book months ago, and Cora still says with me, the way you think back to a person you met briefly but who had a deep impact on you. The book's mix of accessible while artistic prose and a history-inspired plot influenced by the genre of magical realism leaves nothing to be desired. The book adds to the exceptional body of literature (both fictional and nonfictional) that provides a lens into the legacy of slavery. Whitehead paints vibrant pictures of the historical realities of slavery, inequity, and the quest for freedom. Some parts of the narrative are alarmingly relevant almost 200 years later. In one passage describing the policing of slaves, Whitehead writes: "The patroller required no reason to stop a person apart from color. . . . Rogue blacks who did not surrender could be shot." Sound a little familiar to how black bodies are still policed? The book's narrator goes into more detail about the systems that constantly worked to enforce the system of enslavement:

Slaves caught off the plantation need passes, unless they wanted a licking and a visit to the country jail. Free blacks carried proof of manumission or risked being conveyed into the clutches of slavery; sometimes they were smuggledto the auction block anyway. (p. 153)

Is it any wonder that such egregious racial inequalities exist today when persistent systems of violence and suppression were unilaterally sanctioned?  

Reading this book was a plethora of experiences. There was the experience of pure appreciation of the book's prose and plot. There was a huge emotional component of experiencing this book, as we follow the hardships and brutality that Cora and her collaborators endure. What also added to my experience of reading this book was a small but exciting interaction with the author on Twitter. I don't expect famous people to respond to every cray cray fan, but given how easy social networking makes it to engage with people who are legitimately engaging with literature, I really appreciated that Colson Whitehead liked one of my tweets about his book.

Exhibit A: Colson Whitehead like my Tweet!

We don't know what is in store for 2017 of course, but make sure that The Underground Railroad is in store for yourself if you have not yet read it. It is imperative that we all keep reading books that challenge our emotions and conceptions, because literature that challenges us remains one of the surest ways to expand our humanity, compassion, and knowledge. 

Whitehead, Colson. The Underground Railroad. New York: Doubleday, 2016.