I have a long relationship with style
guides. For most of my academic career, I was loyal to MLA. We were close, and
I loved the laissez-faire attitude it had—almost anything went in the
relationship so long as you were consistent. But at a certain point, I just
wanted more from a style guide. It wasn’t MLA; it was me. APA and I got to know
each other well because of some freelance work, but we never got serious. I
admire its brevity and attention to social scientific concerns, but we are just
friends. CMOS, however, is the style guide love of my life. Its big,
comprehensive index; its bright, colorful jacket; its sturdy, thick binding;
its detail-oriented rules and abundant examples—what’s not to love about The Chicago
Manual of Style?
Saller, Carol Fisher. The Subversive Copyeditor. Chicago: Chicago University Press, 2009.
So, imagine my excitement when I got to meet the
editor of the CMOS online Q & A forum, Carol Fisher Saller (@SubvCopyEd),
who just happened to pay a visit to the University of Illinois Press last week, which just happens to be my place of employment. Carol
Saller is a manuscript editor at the University of Chicago Press, and many know
her as The Subversive Copy Editor. Her book by the same name is a delight to read, and the cover
is pretty darn amazing, too.
She signed my book! |
In all the excitement of meeting her, I
apparently referred to University of Chicago Press as University Press of
Chicago—how embarrassing! I had a zillion questions for her: As a manuscript
editor, how was the process of having your own manuscript edited and put
through production? Or was it perfect already? Do you have any other books in
the works? What is the process of updating the new editions of the CMOS like? How do you come up with rule
changes? Is it like 12 Angry Men with everyone seriously debating in a room? Do
you have a running list between editions? What’s on the list right now? Will
you sign my book?
I didn’t get to ask all my questions—I had to
hold back on my crazy vibe—but that didn’t matter. Hearing her speak was
wonderful. We even found out that she got her start as a freelancer in the Chicago
office of our very press! She is a great storyteller, and she was a charming guest. She shared many stories of the various types of submission
the Q&A receives, and she discussed the large, dedicated following of the style
guide and the Q&A. One thing is certain: I’m not alone in my appreciation of
CMOS.
Saller, Carol Fisher. The Subversive Copyeditor. Chicago: Chicago University Press, 2009.
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